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Pics by Oliver Röckle
LAB51
LAB51 is an interdisciplinary duo founded in 2016 by Johanna Vargas and Magdalena Cerezo, aiming to expand the contemporary repertoire for coloratura soprano and piano, and to develop a new concept of Liedduo. In this context, both artists work together to intertwine vocal, multimedia, and performance art with classical singing and piano playing within their projects and performances.
The collaboration between Johanna and Magdalena started during their contemporary music studies at the University of Music and Performing Arts Stuttgart under Prof. Angelika Luz and Prof. Nicolas Hodges, respectively. Since then, LAB51 has worked with composers such as Gerhard Stäbler, Johannes Kreidler, Bernhard Lang, Wolfgang Rihm, Hans-Joachim Hespos, Gregor Mayrhofer, Benjamin Scheuer, Hans Thomalla, and Óscar Escudero & Belenish Moreno-Gil. They have also received musical advice from world-class artists such as Sarah Maria Sun, Donatienne Michel-Dansac, Georg Nigl, Julia Mihály, Anika Rutkofsky (Stuttgart Opera House), Christian Dierstein, and Hartmut Höll.
Highlights from the 2018-19 season included engagements at NUNC!3 (Northwestern University Chicago), the New Music Series of Goethe Institut-Schwäbisch Hall, and ZeitGenuss Festival Karlsruhe, curated by Johannes Kreidler and featuring artists such as Ensemble Mosaik and Enno Poppe. During the same period, the duo participated in the Darmstädter Ferienkurse für Neue Musik and won the first prize at the John Cage Competition in Halberstadt, Germany. During the 2020-21 season, LAB51 was a featured ensemble of the Munich Society of New Music, performing at the portrait concert of composer and conductor Gregor Mayrhofer, and premiered/recorded Benjamin Scheuer's "Sprechblasen for soprano, guitar, percussion, and piano with objects and samplers" at the Akademie der Wissenschaften in Mainz alongside Vanessa Porter and Thilo Ruck.
In 2022, LAB51 obtained an artistic residency at the Cité Internationale des Arts in Paris and performed at various events organized by Radio France and the Royaumont Foundation. During the 2023/24 season, the duo performed internationally at festivals such as ZeitGenuss (Karlsruhe), Musica in Prossimitá (Pinerolo, Italy), Meta World Contemporary Art Festival (Belgrade), Vocations-Reimagining the Lied (Berlin), ECLAT (World Premiere of "The Day Fanny Mendelssohn Died" by Belenish Moreno-Gil & Óscar Escudero), and RESIS (Círculo de Bellas Artes de Madrid), as well as at Literaturhaus Stuttgart (invited by the Staatsoper Stuttgart), NDR (Kleiner Sendesaal, Hannover), the Royal Academy of Spain in Rome, and Schauspiel Frankfurt. Next September, LAB51 will present the world premiere of "Valeria's Album" by composer Manuel Hidalgo Navas at the Royaumont Festival alongside beatboxer Ervinho.
LAB51's performances have been broadcast internationally on platforms such as Deutschlandfunk, RTVE, Radio Nacional Clásica Argentina, Radio France, and NDR, among others. In 2021, a CD recording of Wolfgang Rihm's "Ophelia Lieder" was released by Naxos-Capriccio.
Since 2018, LAB51 has been coaching a program in contemporary voice training and performance, and curating the concert/project series "Out of the Box" at the University of Music Karlsruhe.
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György Ligeti-Mysteries of the Macabre
Annika Rutkofsky & LAB51, dramaturgy
Isabella Koeters, costume design
Julian Siffert, sound & Korinna Herzig, video
Bernhard Lang-The Cold Trip 2: XX. Deviant
LAB51, performance & dramaturgy
Matthias Schneider, sound & Korinna Herzig, video
Chris Beckett, stage & lighting
Georges Aperghis - Retrouvailles
LAB51, dramaturgy
Igor Stepanov, sound
Korinna Herzig, video
The Cold Trip 2: XVIII. Stormy Monday
The Cold Trip 2: XV. The Crow
f:t
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a new music trio, of three pianists
Founded by Mabel Yu-ting Huang, Magdalena Cerezo Falces, and Jana Luksts. Bringing three established soloists together, f:t features new and pre-existing repertoire for three pianos, six hands, alternative keyboard instruments, and ad-hoc instrumentations. An extensively collaborative unit, f:t takes great care to incorporate their individual artistic visions, as well as collective, in addition to prioritizing influences and partnerships between extra-musical fields. The subsequent programming and performances presented by f:t, are a cohesive reflection of discussion, argument, growth, theatricality, and artistic expression.
Upcoming engagements include performances at “The Present” Art Festival at Kulturzentrum Immanuelskirche in Wuppertal, Altefeuerwache Köln, Werkstatthaus Stuttgart supported by S-K-A-M e.V., and an audiovisual production of “m-her two severed hands” for piano six hands by NYC-based composer George Katehis at the Musikbrauerei’s Säulenhalle in Berlin.
Most recently, f:t presented their performance-concept «deconstructing» at Gedok Stuttgart (kindly supported by Musikfonds e.V. and Neustart Kultur), participated in a Goethe Institut “Virtual Partner Residency” with composer George Katehis, in order to realize a piece for six hands, and performed on the programme [Ex_Piano_Revisited] on the series Südseite nachts (Theaterhaus Stuttgart), presented by Musik der Jahrhunderte. Later this year, f:t looks forward to releasing a video of Elena Rykova’s “101% mind uploading”, in collaboration with filmmaker Korinna Herzig, made possible by Musik der Jahrhunderte and Landeshaupt Stadt Stuttgart.